How to Take Landscape Photographs with a Canon EOS Rebel T1i/500D

Beautiful landscape photography is not solely the realm of fine art and professionals. You can capture landscape photos with your Canon Digital Rebel, whether you are beginning photography or you have years of camera experience.


Taking the perfect landscape photograph is, in part, subjective. Take depth of field, for example: You can choose to have all elements sharply focused, or a single foreground element with a softer background. With a few digital photography tips, however, you’ll know enough to experiment with the details until you can create landscapes that take your breath away.




  • Shoot in aperture-priority autoexposure mode (Av) so that you can control depth of field. If you want extreme depth of field, so that both near and distant objects are sharply focused, select a high f-stop value or use Landscape mode (on the Mode dial). For short depth of field, use a low value.


    If the light is dim, the camera may be forced to open the aperture in Landscape mode, reducing depth of field, to properly expose the image.




  • If the exposure requires a slow shutter (as with high f-stops), use a tripod or solid surface to avoid blurring. If the shutter speed drops below what you can comfortably hand-hold, use a tripod to avoid picture-blurring camera shake. Alternatively, you can always increase the ISO setting to increase light sensitivity, which in turns allows a faster shutter speed, too, but that option brings with it the chances of increased image noise.




  • For dramatic waterfall shots, consider using a slow shutter to create that “misty” look. The slow shutter blurs the water, giving it a soft, romantic appearance. Again, use a tripod to ensure that the rest of the scene doesn’t also blur due to camera shake.




  • At sunrise or sunset, base exposure on the sky. The foreground will be dark, but you can usually brighten it in a photo editor if needed. If you base exposure on the foreground, on the other hand, the sky will become so bright that all the color will be washed out — a problem you usually can’t fix after the fact.




  • For cool nighttime city pics, experiment with slow shutter. Assuming that cars or other vehicles are moving through the scene, the result is neon trails of light.




  • For the best lighting, shoot during the “magic hours.” That’s the term photographers use for early morning and late afternoon, when the light cast by the sun is soft and warm, giving everything that beautiful, gently warmed look.




  • In tricky light, bracket exposures. Bracketing simply means to take the same picture at several different exposures to increase the odds that at least one of them will capture the scene the way you envision. Bracketing is especially a good idea in difficult lighting situations such as sunrise and sunset.





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